Creativity in the midst of Mothering

Been having major guilt about not posting more. There are so many ideas floating around in my head..too many ideas, too little time..

I am done with the edit of my video interview with Nagraj Manjule the Director of Fandry. I am excited about it, Nagraj is a an unaffected, honest, authentic human being who is an excellent story teller. I haven’t released it yet because I am trying trying to figure out how to do a few graphicky things. I’m watching tutorials on AdobeTV and Lynda. Subtitling it in the midst of the rest of my life has made progress slow, I have been busy with mothering, house holding and DMV type errands…unavoidable drudgery in every artistic life 😉 Also, I got roped into shooting the Easter performance at my son’s preschool..he was playing Jesus, a sleepy one at that..how could I not?

U98A8844

Sleepy Baby Jesus

Lately I have become a Twitter fiend. I am amazed at the access Twitter offers, a truly equal opportunity platform for connecting with people/companies/groups for all my varied interests. I am very excited about a recent connection I made with a Director whose work I admire tremendously. I will post a story about the mystery actor/director soon. Hint: He went to FTII in 1983..guesses? 🙂

A piece I wrote on a film at IFFLA will be published in a respected publication in India next week!! This has given me some validation in this journey of doing what ‘I am drawn to’, with no real blue print. I am creating my path as I go along. I’ve heard countless times, don’t set out to be successful, set out to do what you enjoy and what you are passionate about and success will follow! So here I am, making it up as I go along, thank you for joining me on this journey…AND being patient..:P

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Fandry: The Power of Storytelling

Fandry: The Power of Storytelling

On the face of it, ‘Fandry’, Nagraj Manjule’s directorial debut, is an adolescent love story set in a remote village in Maharashtra. Jabya, a 14 year old Dalit boy falls in love with a beautiful upper caste girl in his school. Jabya sneaks stolen glances at Shalu, entranced by her beauty as she walks with her friends or sits in the classroom. He dreams of them together, in love.

Jabya tries to distance himself from his father, a lower caste man who does the dirty-work in the village that nobody else will do. The most demeaning job is to chase out wild pigs or ‘fandry’ from the village. Upper caste people consider ‘fandry’ too dirty to touch themselves.

Jabya doesn’t identify with the limiting constructs of the caste system. He doesn’t want to touch pigs, he dreams of a better life, he wants to study, he wants to buy nice clothes and impress Shalu. He believes he is good enough to be Shalu’s love.

The reality is very different from his dreams. The repeated ridicule of arrogant upper caste people wear him down. How long can this self-respecting child take the indiginty?

Fandry portrays the reality of caste prejudice in India today, through a beautifully told story. The visual beauty of the Maharashtra landscape captured by Vikram Amladi, the authentic performances of all the actors and the heart wrenching background score by Alokananda Dasgupta, come together perfectly to create a cinematic jewel, a compelling story of great power and simplicity.

I had the pleasure of interviewing Nagraj Manjule, while he was in LA for IFFLA 2014, where his film won the Jury Grand Prize for narrative feature film.  I was moved by his simplicity, clarity and genuineness, “I just told a story that I know, a story from my own reality. Its not so much that I had to make a film, its that I had to tell this story, that I have lived.” My next post will be about our interview.

IFFLA 2014 – A diverse cinematic feast for the spirit!

I was very fortunate to attend the Indian Film Festival in LA between April 8th and April 13th. I came away feeling truly inspired. On my first day there, I had the bright idea of shooting video of my experience, with my iPhone. I walked around with my iPhone on a monopod. It was fun, I felt very ‘indie’ nari! In all, 8 people asked me where I got the gadget from 🙂 I made a short video on Day 1 and then decided, I needed to get a better microphone if I want to vlog in a loud place. For those that are interested, I am uploading an under 2 minute video about Day 1 at IFFLA, on Indie Nari TV.

Photo on 4-9-14 at 6.25 PM

Me and my iphone on a monopod

My overall feeling at IFFLA was one of complete awe at the quality and diversity of the films I watched. Some of my personal favorites were Fandry, Qissa, Aankhon Dekhi, Liar’s Dice, Ugly and Phoring. These 6 films are in 5 different languages! This can happen ONLY in India.

I loved how culturally specific the films were, it made the viewing experience so authentic, diverse and rich.

 

In Nagraj Manjule’s Fandry, I was transported to the beautiful camel colored landscape of rural Maharashtra, to times I’ve spent camping and trekking through the Sahyadris, during my school days. The story, its visual story telling, the thematic clarity, the performances and the background score by Alokananda Dasgupta make this simple story of caste discrimination in India a true gem.

Qissa by Anup Qissa-339x480Singh, took the audience to a recently partitioned Punjab. The very original story, the visual beauty, the music, the language and the performances in this film were just breathtaking. Tillotama Shome, Rasika Dugal, Tisca Chopra and Irrfan Khan were brilliant!

Rajat Kapoor’s Aankhon Dekhi is an incredibly original film. A feast of humor, excellent dialogue, like this gem had me laughing out loud,”Accha chup rehe kar aur bhi zyada gyaan milega”! Performances so brilliant they seemed almost documentary like! The music is brilliant and the elaborate mise-en-scene shots were all the work of a master auteur. Rajat Kapoor is a genius, India’s Fellini, I eagerly await his next film and I will be watching this one a few more times. After the film, I half expected to exit the theater and buy chai in a kulhaad in a galli in Old Delhi!

  U98A8676I was so happy to hear that Nagraj Manjule’s film, ‘Fandry’ got the jury award for Best Feature film. I had a wonderful interview with him the day before he received the award and was touched by his simplicity and genuineness. Congratulations Nagraj and Vivek Kajaria. I will post the video tomorrow with my detailed post on Fandry. Even though I felt gulit pangs every so often, about leaving the kids for 5 days, I am so glad I took the time for myself. My creativity was definitely sparked and I feel ENERGIZED!

Telling my story

I am a filmmaker, a photographer, a writer, a mother. I used to be a blogger.

At first, I wrote about my dreams, insecurities, books and movies. When I became a mother, my posts became sporadic and mostly about mothering. After the birth of my second child, blogging was left in the dust. I became an instant gratification junkie on facebook and twitter.

With the kids more self sufficient now, old interests and creative urges have reasserted themselves. I crave meaningful connection, and a true expression of my creative voice.

On this blog, sometimes vlog I will post thoughts, pictures and videos about independent film, talk about my own creative projects and follow indie filmmakers that inspire me. I will share my adventures and some amazing people I have met along the way. I hope you will visit often and share your stories with me too. Peace and keep creating. Anjalika/Indie Nari.

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